Writing this, as I am, on Valentine’s Day, how very appropriate that so much of the music, and the music-making, on Latin Romance is absolutely stirring and heart-achingly beautiful; Wilson’s opening solo on Gismonti’s Memoria Y Fado is especially poignant. And speaking of matters of the heart, sadly, noted Canadian composer, John Burke, whose rich and rhythmic La Despedida for solo piano (a gift to Wilson, his longtime friend and colleague) graces track five, passed away on January 18, 2020. (Eerily, and perhaps fittingly, La Despedida – translated as “The Farewell” – was the last piece of his music Burke heard performed, live, before he died six weeks later.)
Wilson, along with bassist Jim Vivian, violinist Corey Gemmell, violist Norman Hathaway, cellist Sybil Shanahan, and guests Don Thompson, whose vibe work on Gismonti’s Lôro is an exhilarating tour de force, trumpeter Kevin Turcotte, and Juan Carlos Medrano and Luisito Orbegoso on Latin percussion, sparkle, shimmer, pulsate, yearn, beckon, move, tango and haunt in gorgeous (and often sexy) pieces by Piazzolla, Jobim, Lecuona, Albeniz, Mozart Camargo Guarnieri, Ernesto Nazareth, Leroy Anderson and Phil Dwyer.
Latin Romance is chamber music at its evocative best!
Opening Day ODR 7458