WholeNote Magazine – Mysterium review

WholeNote Magazine, September 2014, by Roger Knox.

John Burke is a distinguished Canadian composer whose work has for two decades moved beyond the concert hall to engage with contemplative practices of several cultural traditions. This disc includes pieces from the composer’s repertoire of works based on walking a labyrinth. The informative program notes describe Burke’s music as: “Neither concert nor ritual, it accesses a third type of experience, surpassing the sum of its parts.” In my own experience, both one’s own passage and the presence of other labyrinth walkers can become uncanny. Burke’s finely wrought writing takes labyrinth music to a new level that will be especially rewarding to those interested in this work, with precisions of sonority, dynamics and rhythm that Ensemble Vivant, led by pianist Catherine Wilson, fully deliver.

Mysterium, the opener, encompasses the sequence of 12 harmonies upon which all the pieces are based. Expressive long tones played by Erica Beston, violin, and Sharon Prater, cello, over a repetitive broken-chord piano accompaniment remind me of passages in Messiaen and in minimalism; the mood is sombre. Wilson’s playing of Lungta, an improvisatory piano solo with tone clusters and flourishes, is evocative. Longest is the multi-sectional Hieratikos, with intricate ensemble writing performed magnificently by Wilson, Joseph Peleg, violin, and Sybil Shanahan, cello. Norman Hathaway, violin and David Young, bass, join in a closing variant of Mysterium, rounding off a moving experience.

Read the issue here.